We are excited to announce that acclaimed singer-songwriter Chris Knight will be taking our main stage on May 20th!

Blending Americana and country genres, his sound has previously been described as “Cormac McCarthy meets Copperhead Road.” With a full band, we promise this is one show you won’t want to miss!

Tickets are $25 in advance, and $30 the day of the show. No refunds or exchanges of ticket purchases. This show will be ages 21+ only.

Advance tickets will also be available in Tallahassee with NO FEES at Retrofit Records, Midtown Pies and Big Chief’s Smoke Shop.

Mainstage Doors: 7:00PM // Music: 8:00PM

With local support Neil Alday and Further South & The Fried Turkeys (acoustic set)

PURCHASE TICKETS:

CHRIS KNIGHT:
Website | Reverb Nation | Facebook | Myspace

NEIL ALDAY AND FURTHER SOUTH:
Reverb Nation | Facebook | Instagram | Twitter

THE FRIED TURKEYS (Acoustic Set):
Facebook | Band Zoogle


The 11 songs on Little Victories purely rank among Knight’s finest. There’s busted luck in “Lowdown Ramblin’ Blues”, hardcore tenacity in “Nothing On Me” and badtempered love in “You Lie When You Call My Name” (co-written with two-time Grammy winner Lee Ann Womack). Buddy Miller provides guest vocals on the ominous commentary of “In The Mean Time” and the ornery regret of “Missing You”. “Jack Loved Jesse” is a raging tale of criminal destiny co-written and featuring blistering electric guitar and vocals by former Georgia Satellite and frequent Knight producer Dan Baird. “You Can’t Trust No One” emerges as an unsettling paean to small-town American cynicism and anger, and “The Lonesome Way” is a gut-punch of slide-guitar, violin (courtesy Tammy Rogers of The Steeldrivers, who appears throughout the album) and bullheaded regret. The humble acoustic remorse of “Out Of This Hole” is Knight at his most plaintive, and the crushed dreams of “Hard Edges” carry a banjo-tinged melancholy. And if the title track not only finds Knight at his most cheerily optimistic (for Chris, at least), it also features vocals from his lifelong musical hero John Prine. “When I was 16, I got a John Prine songbook and learned about 40 of his songs,” Knight explains. “Used to play them for the kids in study hall at school every day. About 20 years later, I finally got to meet him when I opened a few shows for him. He asked me to come out and sing “Paradise” as part of his encore, and I got to play the blonde Martin guitar that was on the cover of his first album. I sent him “Little Victories” and he liked the song enough to be on it.” Chris treasures the moment when the two first listened to the playback of their distinctive twangs rasping joyfully together on the chorus. “‘Prine turned to me and said, ‘We sound pretty good together. Just like Phil and Don Everly.’”

After 15 years, 8 albums and a still uncompromised reputation as one of the best singer/songwriters in America, what has Chris Knight learned from it all? “I’ve learned that I’m pretty lucky to do what I do and make a living at it,” he says. “I’m really proud of Little Victories, and it’ll be fun to play these songs live. For people who like my music and maybe even for someone hearing me for the first time, I think they’ll find songs on here that mean something to them and they can hang on to. I don’t want to talk about it too much, but I think people are gonna be surprised.” And for Chris Knight, that’s victory enough.

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